An unusual encounter appears between entity and attributes.
A surreal scenery, where the human shell is facing its microscopic and macroscopic components. This confrontation exists in a plastic world, where originality has collapsed, under a pressure of repetitive production and consumption. However, the white plastic furniture has transformed and lost its initial function to become a support for an artistic expression. There is a shift in the system of hierarchy: our human body cannot make use of this support anymore, only its physical depiction can.

Graduation work at the Royal Academy of Art, the Hague 2018